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18th Century Portuguese Garnet and Topaz Pendant

About Details History
This exquisite floral pendant is made in silver and set with fiery red garnets and warm champagne-toned topaz. Topaz is believed to derive it's name from either the ancient Sanskrit word topas meaning "fire", or for the old Greek island of Topazios. The gemstone occurs in many places throughout the world, as well as in varied colors including yellow, blue, and colorless to name a few. Topaz mines were discovered in Brazil in the 17th century - a Portuguese territory at the time - and the fruits of these mines were shipped on to Portugal and traded throughout Europe for use in jewelry. This wonderful 18th century piece was probably once part of a larger piece of jewelry. Hangs from a new 18" 14k gold chain. 

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  • Materials: silver, garnets, citrines, new 14k gold chain
  • Age: c. 1780
  • Condition: Very good
  • Size: 1 1/4" length including the bale, 1" width, 18" chain
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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About Details History
This exquisite floral pendant is made in silver and set with fiery red garnets and warm champagne-toned topaz. Topaz is believed to derive it's name from either the ancient Sanskrit word topas meaning "fire", or for the old Greek island of Topazios. The gemstone occurs in many places throughout the world, as well as in varied colors including yellow, blue, and colorless to name a few. Topaz mines were discovered in Brazil in the 17th century - a Portuguese territory at the time - and the fruits of these mines were shipped on to Portugal and traded throughout Europe for use in jewelry. This wonderful 18th century piece was probably once part of a larger piece of jewelry. Hangs from a new 18" 14k gold chain. 

less
more

  • Materials: silver, garnets, citrines, new 14k gold chain
  • Age: c. 1780
  • Condition: Very good
  • Size: 1 1/4" length including the bale, 1" width, 18" chain
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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more