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Georgian Amethyst and Citrine Pansy Ring

$1,400.00
About Details History
This wonderful Georgian pansy ring is fashioned in 18k gold with colorful petals in alternating amethyst and citrine. "Pansy" comes from the French pense meaning "to think." Lovers of a hidden meaning, the five-petaled flower was frequently used in 18th and 19th century love token jewelry to express the sentiment "think of me." Each gem is edged in tiny gold granules with larger gold beads at the shoulders. The obverse of the head features a small round locket fronted with green glass. Originally, this now empty locket would have held a lock of hair presumably belonging to the person being thought of by the wearer.  

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  • Materials: 18k gold (tests), citrines and amethysts
  • Age: c. 1820
  • Condition: Very good - green glass fronting the locket is almost certainly a replacement
  • Size: 6.25, can be resized for an additional fee of $90; 9mm head, 1.4mm hoop
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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About Details History
This wonderful Georgian pansy ring is fashioned in 18k gold with colorful petals in alternating amethyst and citrine. "Pansy" comes from the French pense meaning "to think." Lovers of a hidden meaning, the five-petaled flower was frequently used in 18th and 19th century love token jewelry to express the sentiment "think of me." Each gem is edged in tiny gold granules with larger gold beads at the shoulders. The obverse of the head features a small round locket fronted with green glass. Originally, this now empty locket would have held a lock of hair presumably belonging to the person being thought of by the wearer.  

less
more

  • Materials: 18k gold (tests), citrines and amethysts
  • Age: c. 1820
  • Condition: Very good - green glass fronting the locket is almost certainly a replacement
  • Size: 6.25, can be resized for an additional fee of $90; 9mm head, 1.4mm hoop
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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more