Georgian Citrine, Rose Cut Diamond and Blue Enamel Ring

About Details History
Made in the late Georgian period, this unusual cluster ring features a foil-backed buttery citrine haloed in rose cut diamonds and deep blue enamel. The ring has an exceptionally low head and flat shank. The combination of stones and enamel is striking in its uniqueness. This ring is fair to good condition and is being sold as is (as is being special and totally fabulous, but not perfect). There are two noticeable chips to the citrine and some pitting and discoloration at various points on the shoulders and shank. This ring is nearly 200 years old and should be worn with care. It may not be suitable for everyday wear.

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  • Materials: 14k rosy gold (tests), 15 1.5mm rose cut diamonds, 5 x 4.3mm citrine (2 noticeable chips)
  • Age: c. 1820
  • Condition: Fair - two noticeable chips to the citrine, pebbling and discoloration to the shoulders and shank
  • Size: 7.5, can be slightly sized down for an additional fee of $90; 12.5mm head, 2.2mm hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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About Details History
Made in the late Georgian period, this unusual cluster ring features a foil-backed buttery citrine haloed in rose cut diamonds and deep blue enamel. The ring has an exceptionally low head and flat shank. The combination of stones and enamel is striking in its uniqueness. This ring is fair to good condition and is being sold as is (as is being special and totally fabulous, but not perfect). There are two noticeable chips to the citrine and some pitting and discoloration at various points on the shoulders and shank. This ring is nearly 200 years old and should be worn with care. It may not be suitable for everyday wear.

less
more

  • Materials: 14k rosy gold (tests), 15 1.5mm rose cut diamonds, 5 x 4.3mm citrine (2 noticeable chips)
  • Age: c. 1820
  • Condition: Fair - two noticeable chips to the citrine, pebbling and discoloration to the shoulders and shank
  • Size: 7.5, can be slightly sized down for an additional fee of $90; 12.5mm head, 2.2mm hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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more