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Georgian Mother of Pearl Urn Scent Bottle Necklace

$1,750.00
About Details History
This Georgian gold perfume holder was designed to hang from a woman's chatelaine. The tiny vessel was intended to do the same work as the vinaigrette (a small perforated locket which held a sponge scented with perfume used to mask the unpleasant smells encountered in day-to-day 19th century life). This hollow pendant is modeled in the shape of an urn with a mother of pearl body and 9k rose gold fittings. It has a removable top and can be filled with a perfume or essential oil. When your olfactory senses have been assaulted you can use this piece Georgian-style, just remove the cap and add a few drops to a handkerchief and hold the perfumed fabric to your offended nose. Hangs from a new 18" 14k gold chain.

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  • Materials: 9k rose gold, mother of pearl, new 14k gold chain
  • Age: c. 1820
  • Condition: Very good
  • Size: 1" wide, 1 1/8" length including suspension chains, 18" chain
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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more

About Details History
This Georgian gold perfume holder was designed to hang from a woman's chatelaine. The tiny vessel was intended to do the same work as the vinaigrette (a small perforated locket which held a sponge scented with perfume used to mask the unpleasant smells encountered in day-to-day 19th century life). This hollow pendant is modeled in the shape of an urn with a mother of pearl body and 9k rose gold fittings. It has a removable top and can be filled with a perfume or essential oil. When your olfactory senses have been assaulted you can use this piece Georgian-style, just remove the cap and add a few drops to a handkerchief and hold the perfumed fabric to your offended nose. Hangs from a new 18" 14k gold chain.

less
more

  • Materials: 9k rose gold, mother of pearl, new 14k gold chain
  • Age: c. 1820
  • Condition: Very good
  • Size: 1" wide, 1 1/8" length including suspension chains, 18" chain
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more