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Mid Victorian Enamel Urn Mourning Ring

$2,400.00
About Details History
Mourning rings are prized by collectors in part because they bear such a wealth of information about when, where, and why they were created. While certain rings have us bent over our loupes for hours, squintily combing the internet for some example of a totally obscure maker's mark, the mourning ring gives you a name, date of death and age at the time of death. This beautiful mid Victorian mourning ring features a stylized funeral urn at the face and the words "In Memory Of" wrapping round the band. The interior is engraved: "George Ledger Ob 23rd May 1850 AE 23." This ring is a size 8.5 and cannot be resized.

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  • Materials: 18k yellow gold, black and white enamel
  • Age: 1850
  • Condition: Very good -some minor wear to the enamel
  • Size: 8.5, cannot be resized; 8.8mm width
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VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more

About Details History
Mourning rings are prized by collectors in part because they bear such a wealth of information about when, where, and why they were created. While certain rings have us bent over our loupes for hours, squintily combing the internet for some example of a totally obscure maker's mark, the mourning ring gives you a name, date of death and age at the time of death. This beautiful mid Victorian mourning ring features a stylized funeral urn at the face and the words "In Memory Of" wrapping round the band. The interior is engraved: "George Ledger Ob 23rd May 1850 AE 23." This ring is a size 8.5 and cannot be resized.

less
more

  • Materials: 18k yellow gold, black and white enamel
  • Age: 1850
  • Condition: Very good -some minor wear to the enamel
  • Size: 8.5, cannot be resized; 8.8mm width
less
more
VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more