"Toujours Gay" Cupid Carnelian Intaglio Ring

$2,200.00
About Details History
This sensational Georgian ring features one of the best intaglios in the entire history of intaglios. The round carnelian slab is carved with a tiny cupid with one hand resting on his bow and the other holding a heart aloft. Arced above the finely carved little Eros are the words "Toujours Gay", technically this translates from the French as "Always Happy", but we are partial to the Google translation of simply: "Still Gay". As is the case with most intaglios, this piece was used as a seal - the image is carved in reverse so as to read forward when impressed in wax. The stone is set in a simple round bezel, originally it was most likely a fob, but at some point a Georgian period shank was added to make it into a ring.

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  • Materials: 10k gold (tests), carnelian
  • Age: c. 1800
  • Condition: Excellent - most likely was converted from a fob into a ring using a shank from the same period
  • Size: 7.5, can be resized for an additional fee of $90; 17.1mm head, 1.6mm hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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more

About Details History
This sensational Georgian ring features one of the best intaglios in the entire history of intaglios. The round carnelian slab is carved with a tiny cupid with one hand resting on his bow and the other holding a heart aloft. Arced above the finely carved little Eros are the words "Toujours Gay", technically this translates from the French as "Always Happy", but we are partial to the Google translation of simply: "Still Gay". As is the case with most intaglios, this piece was used as a seal - the image is carved in reverse so as to read forward when impressed in wax. The stone is set in a simple round bezel, originally it was most likely a fob, but at some point a Georgian period shank was added to make it into a ring.

less
more

  • Materials: 10k gold (tests), carnelian
  • Age: c. 1800
  • Condition: Excellent - most likely was converted from a fob into a ring using a shank from the same period
  • Size: 7.5, can be resized for an additional fee of $90; 17.1mm head, 1.6mm hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more