The subtext behind three stone rings aka trilogy rings is that each stone represents a stage in the relationship of a couple. One stone for the past, the second for the present, and the last, for the future. This midcentury variation of the classic trilogy ring is rendered with a stepped face, the center diamond (the present) sits high above its flanking stones. The gallery is decorated with vertical striations and crisp diamond-shaped openwork.
RETRO (1935 - 1945)
World War II marked the shift from Art Deco to retro, as yet another war (and the subsequent materials rations) dictated what was available on the jewelry market. Platinum was reserved for military use, so jewelers began relying heavily on gold and experimenting with colored alloys and different finishes. Retro jewelry designs are marked by asymmetry, motifs borrowed from industrial design, and exaggerated scale.
Thanks to a hugely successful advertising campaign begun in the 1940s and funded by De Beers, the phrase “a diamond is forever” was coined and diamond rings were touted as the ONLY acceptable type of engagement ring. Carefully worded ads instructed men on how to choose a stone, and what to spend (“two months salary!”). The Gemological Institute of America developed the so-called “4Cs” of diamond grading, which was a scientific system for measuring the color, clarity, cut and carat weight of every single diamond.
The costume jewelry industry, having only been established a few decades before, began to flourish. Centered in Providence, Rhode Island, and surrounding New England towns, companies like Trifari, Monet, Hobe, and Vendome prospered as consumers gobbled up inexpensive machine-made jewels.