19th Century French Sapphire and Rose Cut Diamond Navette Ring

About Details History
This edgy variation of the popular sapphire and diamond cluster ring style is fashioned in 14k gold and platinum and dates to late 19th century France. The vibrant deep blue sapphire weighs in at .60ct and sits within dense yellow gold prongs. The visible color zoning within the stone would indicate that it has not been heat-treated (unlike 95% of sapphires on the market which have had a heat treatment to eliminate this effect). To our eyes this natural layering can often be quite attractive, but its all a matter of taste. The blue gem surmounts a navette-shaped halo of 18 rose cut diamonds and perforated gallery. The wide rose gold shank measures 2.9mm and is stamped with a French hallmark.

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  • Materials: 14k rose and yellow gold, platinum, .60ct old cut sapphire, 18 rose cut diamonds approximately .50ctw
  • Age: c. 1890
  • Condition: Excellent
  • Size: 6, can be resized for an additional fee of $90; 1.8 x 1.09cm head, 2.9mm hoop
  • Location: To see this ring in person please visit our shop in Boerum Hill, Brooklyn.
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VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
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About Details History
This edgy variation of the popular sapphire and diamond cluster ring style is fashioned in 14k gold and platinum and dates to late 19th century France. The vibrant deep blue sapphire weighs in at .60ct and sits within dense yellow gold prongs. The visible color zoning within the stone would indicate that it has not been heat-treated (unlike 95% of sapphires on the market which have had a heat treatment to eliminate this effect). To our eyes this natural layering can often be quite attractive, but its all a matter of taste. The blue gem surmounts a navette-shaped halo of 18 rose cut diamonds and perforated gallery. The wide rose gold shank measures 2.9mm and is stamped with a French hallmark.

less
more

  • Materials: 14k rose and yellow gold, platinum, .60ct old cut sapphire, 18 rose cut diamonds approximately .50ctw
  • Age: c. 1890
  • Condition: Excellent
  • Size: 6, can be resized for an additional fee of $90; 1.8 x 1.09cm head, 2.9mm hoop
  • Location: To see this ring in person please visit our shop in Boerum Hill, Brooklyn.
less
more
VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more