This unique little hybrid ring is equal parts 19th and 20th century. The 14k gold Victorian band is engraved "Tillie Bradshaw Nov 4th 1867", it's not entirely clear what the band was used for, it's not a mourning ring, but the dedication is unusual for a wedding band or keepsake. The .35ct transitional cut diamond (inclusions visible to the unaided eye) was added to the band much later, probably in the 1960s or '70s. Best guess as to how this pretty Frankenstein of a ring got made: someone creative came into some family jewelry and decided to improvise.
RETRO (1935 - 1945)
World War II marked the shift from Art Deco to retro, as yet another war (and the subsequent materials rations) dictated what was available on the jewelry market. Platinum was reserved for military use, so jewelers began relying heavily on gold and experimenting with colored alloys and different finishes. Retro jewelry designs are marked by asymmetry, motifs borrowed from industrial design, and exaggerated scale.
Thanks to a hugely successful advertising campaign begun in the 1940s and funded by De Beers, the phrase “a diamond is forever” was coined and diamond rings were touted as the ONLY acceptable type of engagement ring. Carefully worded ads instructed men on how to choose a stone, and what to spend (“two months salary!”). The Gemological Institute of America developed the so-called “4Cs” of diamond grading, which was a scientific system for measuring the color, clarity, cut and carat weight of every single diamond.
The costume jewelry industry, having only been established a few decades before, began to flourish. Centered in Providence, Rhode Island, and surrounding New England towns, companies like Trifari, Monet, Hobe, and Vendome prospered as consumers gobbled up inexpensive machine-made jewels.