The name "Stuart crystal" derives from the jewelry made and worn by loyalists to the Stuart monarchy after the execution of King Charles I in 1649. These Royalists memorialized the martyred king by wearing jewelry with his likeness, a lock of his hair, or his initials rendered in gold wire cipher, set under flat-topped faceted rock crystal (ergo "Stuart crystal"). This jewelry, though originally aligned with support of the monarchy, over time became more personal in nature, and the later 17th century examples might feature the cipher or hair of the owner or a loved one. These earrings are a beautiful example of the style, they feature pink foiled backings with a square of plaited hair surmounted by a gold wire cipher set under rock crystal. The earrings have closed silver settings with back-to-front 9k gold ear wires.
GEORGIAN (1714 - 1837)
The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available.
A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum.
Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts.
Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.