Make an appointment to try this on

Victorian Turquoise Bow Earrings

$1,000.00
About Details History
In Western jewelry, the bow or knot has symbolized endless love and constancy as far back as 500AD, when it was employed in Celtic rings. The sentimental Victorians loved the bow as a tidy metaphor for undying affection: it loops around itself in an eternal twist, forever and ever, never beginning and never ending. In a time when lovers were often parted for long periods, it could be a comforting metaphor for intimacy despite being apart. Think about what would happen if you pulled both ends of this bow: the further the distance, the tighter the knot. These mid Victorian earrings feature turquoise-studded bows suspended from larger turquoise cabochons.

less
more

  • Materials: 10k gold (tests), turquoise cabochons
  • Age: c. 1860
  • Condition: Very good
  • Size: 1 1/8" length measured from the top of the ear wire, 1/2" x 5/8" bows
less
more
VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more

About Details History
In Western jewelry, the bow or knot has symbolized endless love and constancy as far back as 500AD, when it was employed in Celtic rings. The sentimental Victorians loved the bow as a tidy metaphor for undying affection: it loops around itself in an eternal twist, forever and ever, never beginning and never ending. In a time when lovers were often parted for long periods, it could be a comforting metaphor for intimacy despite being apart. Think about what would happen if you pulled both ends of this bow: the further the distance, the tighter the knot. These mid Victorian earrings feature turquoise-studded bows suspended from larger turquoise cabochons.

less
more

  • Materials: 10k gold (tests), turquoise cabochons
  • Age: c. 1860
  • Condition: Very good
  • Size: 1 1/8" length measured from the top of the ear wire, 1/2" x 5/8" bows
less
more
VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more