According to Paul Taylor of the English Natural History Museum: "Toadstones were considered to be antidotes for poison and were also used in the treatment of epilepsy. As early as the 14th century, people began to adorn jewelry with toadstones for their magical abilities. In their folklore, a toadstone was required to be removed from an old toad while the creature was still alive, and as instructed by the 17th century naturalist Edward Topsell, could be done by setting the toad on a piece of red cloth." This toadstone talisman pendant, made sometime around 1700, is set in silver (alloyed with other metals, not sterling). It's been touched many times, as an amulet should be. An absolutely rare treasure.
thedetails
- Materials
Silver alloyed with base metals and toadstone (actually the button-like fossilized teeth of Leipidotes, an extinct genus of fish from the Jurassic and Cretaceous periods).
- Age
c. 1700
- Condition
Worn, wonderfully so.
- Size
2.2 x 1.4cm, including loop at top.
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Aboutthe
GeorgianEra
1714 — 1837
As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut,” a very early iteration of today’s round brilliant cut.
The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste — an imitation gemstone made from leaded glass — was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.