Edwardian 1.85ct Sapphire and Old Cut Diamond Cluster Ring

$4,000.00
About Details History

The cluster ring is far and away the most popular vintage style at our shop, and it's not hard to see why.  The floral motif of this c.1900 ring is simultaneously eye-catching, feminine, and classic. The combination of a central sapphire encircled by diamonds can't help but remind us of the famous ring most recently given to Kate Middleton, but the cluster ring has been popular among both royalty and commoners for well over a century. The 1.85ct deep blue sapphire sits within a halo of 10 .07ct old European cut diamonds. The gems are set in in platinum and the basket and hoop are 18k yellow gold.

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  • Materials: 18k yellow gold, platinum, 1.85ct sapphire, 10 x approx .07ct old European cut diamonds
  • Age: c. 1900
  • Condition: Excellent
  • Size: US 5.25, can be resized for an additional fee of $90; 
  • Location: To see this piece in person, visit our shop in Boerum Hill, Brooklyn.
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VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
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Sold
About Details History

The cluster ring is far and away the most popular vintage style at our shop, and it's not hard to see why.  The floral motif of this c.1900 ring is simultaneously eye-catching, feminine, and classic. The combination of a central sapphire encircled by diamonds can't help but remind us of the famous ring most recently given to Kate Middleton, but the cluster ring has been popular among both royalty and commoners for well over a century. The 1.85ct deep blue sapphire sits within a halo of 10 .07ct old European cut diamonds. The gems are set in in platinum and the basket and hoop are 18k yellow gold.

less
more

  • Materials: 18k yellow gold, platinum, 1.85ct sapphire, 10 x approx .07ct old European cut diamonds
  • Age: c. 1900
  • Condition: Excellent
  • Size: US 5.25, can be resized for an additional fee of $90; 
  • Location: To see this piece in person, visit our shop in Boerum Hill, Brooklyn.
less
more
VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more