Georgian Diamond Ring with Trefoil Accents

$3,000.00
About Details History
This lovely Georgian diamond ring is made in silver and 15k gold and dates to the early 1800s. The face of the ring features a  .30ct rose cut diamond in a crimped collet flanked trefoils of old mine cuts mounted in minimal rub-over settings. The split shoulders feature a foliate scroll motif that tapers into a grooved hoop. The standard treatment for diamonds in the Georgian period was to mount them in closed settings and back them in foil. This distinctive style of stone setting is a hallmark of Georgian jewelry, but it requires the wearer to take a little extra care - it's best to remove this ring (or any ring with closed settings) when showering or washing dishes, because the settings are closed they can trap liquid which may cause the foil backing beneath the stones to oxidize and darken.

 

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  • Materials: 15k yellow gold, silver, 5.1 x 4mm rose cut diamond (approximately .30ct), 6 x 1.5mm old mine cut diamonds
  • Age: c. 1820
  • Condition: Excellent
  • Size: US 6.5, can be resized for an additional fee of $90; 1.4mm hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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About Details History
This lovely Georgian diamond ring is made in silver and 15k gold and dates to the early 1800s. The face of the ring features a  .30ct rose cut diamond in a crimped collet flanked trefoils of old mine cuts mounted in minimal rub-over settings. The split shoulders feature a foliate scroll motif that tapers into a grooved hoop. The standard treatment for diamonds in the Georgian period was to mount them in closed settings and back them in foil. This distinctive style of stone setting is a hallmark of Georgian jewelry, but it requires the wearer to take a little extra care - it's best to remove this ring (or any ring with closed settings) when showering or washing dishes, because the settings are closed they can trap liquid which may cause the foil backing beneath the stones to oxidize and darken.

 

less
more

  • Materials: 15k yellow gold, silver, 5.1 x 4mm rose cut diamond (approximately .30ct), 6 x 1.5mm old mine cut diamonds
  • Age: c. 1820
  • Condition: Excellent
  • Size: US 6.5, can be resized for an additional fee of $90; 1.4mm hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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more