Georgian Three Diamond Ring

$1,500.00
About Details History
It wasn't until the mid-eighteenth century that diamonds began to claim their place as the ultimate love token. This c. 1800 three diamond band predates the discovery of the fruitful diamond mines in South Africa, so at the time it was made, the colorless gem was even more rare and valuable than it is today. The dazzling three stones are set within silver collets and roughly measure .05ct, .07ct, and .03ct (measurements taken from left to right). Originally, the settings would have had closed backs, but they were opened up at some point in this ring's long lifetime. The wide mounting is 15k yellow gold and features pretty engraving across the face and shoulders. As with any piece of great age, special care must be taken when wearing this jewel, it ought to be removed when doing any heavy (or even moderate) work with your hands.

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  • Materials: 15k yellow gold, silver, 3 rose cut diamonds (05ct, .07ct, .03ct)
  • Age: c. 1800
  • Condition: Very good
  • Size: US 9, can be sized up or down for an additional fee of $90; 1.7mm hoop
  • Location: To see this piece in person, visit our shop in Nolita, New York.
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more

About Details History
It wasn't until the mid-eighteenth century that diamonds began to claim their place as the ultimate love token. This c. 1800 three diamond band predates the discovery of the fruitful diamond mines in South Africa, so at the time it was made, the colorless gem was even more rare and valuable than it is today. The dazzling three stones are set within silver collets and roughly measure .05ct, .07ct, and .03ct (measurements taken from left to right). Originally, the settings would have had closed backs, but they were opened up at some point in this ring's long lifetime. The wide mounting is 15k yellow gold and features pretty engraving across the face and shoulders. As with any piece of great age, special care must be taken when wearing this jewel, it ought to be removed when doing any heavy (or even moderate) work with your hands.

less
more

  • Materials: 15k yellow gold, silver, 3 rose cut diamonds (05ct, .07ct, .03ct)
  • Age: c. 1800
  • Condition: Very good
  • Size: US 9, can be sized up or down for an additional fee of $90; 1.7mm hoop
  • Location: To see this piece in person, visit our shop in Nolita, New York.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more