Georgian Hand Clasp Collar

$2,800.00
About Details History
This Georgian necklace is composed of a beautifully handwrought textured cable chain and an elegant hand clasp holding a flower. The hand is a romantic motif and was used as a symbol of love and friendship. This hand is modeled in a gesture of giving, the blossom in its grasp is set with a turquoise cabochon. Turquoise was a popular stone in the 19th century, employed not only because of how gorgeous it looks paired with gold, but also because its blue color evoked the hue of the forget me not (sentimental for obvious reasons). Originally the chain on this necklace was probably much longer, at some point in history it was shortened to a (chic) collar length.

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  • Materials: 14k gold (tests), 3.2mm turquoise cabochon
  • Age: c. 1800
  • Condition: Excellent - most likely this was originally a much longer chain that was shortened to a collar length at some point in history
  • Size: 15.25" length, hand measures 3/4" x 3/8"
  • Location: To see this necklace in person please visit our shop in Nolita, NYC.
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more

About Details History
This Georgian necklace is composed of a beautifully handwrought textured cable chain and an elegant hand clasp holding a flower. The hand is a romantic motif and was used as a symbol of love and friendship. This hand is modeled in a gesture of giving, the blossom in its grasp is set with a turquoise cabochon. Turquoise was a popular stone in the 19th century, employed not only because of how gorgeous it looks paired with gold, but also because its blue color evoked the hue of the forget me not (sentimental for obvious reasons). Originally the chain on this necklace was probably much longer, at some point in history it was shortened to a (chic) collar length.

less
more

  • Materials: 14k gold (tests), 3.2mm turquoise cabochon
  • Age: c. 1800
  • Condition: Excellent - most likely this was originally a much longer chain that was shortened to a collar length at some point in history
  • Size: 15.25" length, hand measures 3/4" x 3/8"
  • Location: To see this necklace in person please visit our shop in Nolita, NYC.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more