Georgian "Mi Derechura Mi Sustenta" Decorative Wax Seal Fob

$1,500.00
About Details History

This ornate Georgian wax seal fob is made in 18k gold and silver and modeled in the shape of a falcon perched atop a crossed quiver and torch (as well as what appears to be eggs (or berries) and a rose - possibly a tudor rose?). The flaming torch is a symbol of truth, the quiver, of justice. Presumably, the hawk is the guardian over the two. The foot of the fob is set with two turquoise cabochons and two split seed pearls and the intaglio seal set into the base is carved in agate and features the phrase "Mi Derechura Mi Sustena" (roughly "My Rights, My Strength") arced around a corinthian column. This intaglio is carved in reverse, when pressed into hot wax to create a decorative (and also meaningful) seal for correspondence, it reads forward. Hangs from a new 18" 14k gold chain.

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  • Materials: 18k gold, silver, 2 turquoise cabochons, 2 seed pearls, agate, new 14k gold chain
  • Age: c. 1820
  • Condition: Excellent
  • Size: 1 1/8" length, footprint 5/8 x 1/2", 18" chain
  • Location: To see this necklace in person please visit our shop in Nolita, NYC.
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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About Details History

This ornate Georgian wax seal fob is made in 18k gold and silver and modeled in the shape of a falcon perched atop a crossed quiver and torch (as well as what appears to be eggs (or berries) and a rose - possibly a tudor rose?). The flaming torch is a symbol of truth, the quiver, of justice. Presumably, the hawk is the guardian over the two. The foot of the fob is set with two turquoise cabochons and two split seed pearls and the intaglio seal set into the base is carved in agate and features the phrase "Mi Derechura Mi Sustena" (roughly "My Rights, My Strength") arced around a corinthian column. This intaglio is carved in reverse, when pressed into hot wax to create a decorative (and also meaningful) seal for correspondence, it reads forward. Hangs from a new 18" 14k gold chain.

less
more

  • Materials: 18k gold, silver, 2 turquoise cabochons, 2 seed pearls, agate, new 14k gold chain
  • Age: c. 1820
  • Condition: Excellent
  • Size: 1 1/8" length, footprint 5/8 x 1/2", 18" chain
  • Location: To see this necklace in person please visit our shop in Nolita, NYC.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more