Georgian Sapphire and Diamond Three Stone Ring

$3,800.00
About Details History
This outstanding three stone Georgian ring dates to the late 18th century. The vibrant blue oval sapphire at center is flanked by rose cut diamonds. The gemstones sit within rub over settings and the immaculate mounting features tripartite shoulders, intricate knot elements, and fine open work along the entirety of the shank. The reverse of head is detailed with intricate fluting. As with almost all gemstone rings of this period, the stones are in closed settings with foil backs. Try to avoid getting this ring wet - no swimming or showering or dish washing in this beauty - if moisture finds it's way inside the closed settings it may cause the foil within to oxidize and darken.

less
more

  • Materials: 14k yellow gold (tests), silver, 6.3mm x 5.2mm sapphire, 2 rose cut diamonds approximately 2.7mm x 3.3mm
  • Age: c. 1780
  • Condition: Excellent
  • Size: 6.25, cannot be resized; 1/2" head measured from east to west, 2.2mm at the back of the hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more

About Details History
This outstanding three stone Georgian ring dates to the late 18th century. The vibrant blue oval sapphire at center is flanked by rose cut diamonds. The gemstones sit within rub over settings and the immaculate mounting features tripartite shoulders, intricate knot elements, and fine open work along the entirety of the shank. The reverse of head is detailed with intricate fluting. As with almost all gemstone rings of this period, the stones are in closed settings with foil backs. Try to avoid getting this ring wet - no swimming or showering or dish washing in this beauty - if moisture finds it's way inside the closed settings it may cause the foil within to oxidize and darken.

less
more

  • Materials: 14k yellow gold (tests), silver, 6.3mm x 5.2mm sapphire, 2 rose cut diamonds approximately 2.7mm x 3.3mm
  • Age: c. 1780
  • Condition: Excellent
  • Size: 6.25, cannot be resized; 1/2" head measured from east to west, 2.2mm at the back of the hoop
  • Location: To see this ring in person please visit our shop in Nolita, NYC.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more