In the first stages of mourning, the bereaved wore only black, so any jewelry also had to be dark-colored and preferably matte. Jet, mined in the Yorkshire town of Whitby, fulfilled these requirements for mourning jewelry extraordinarily well and was popularly used by the Victorians until the mines were more or less exhausted of their supply. Jet itself is a mineraloid formed by the fossilized wood of the monkey-puzzle tree, the jet harvested in Whitby dates back to the Jurassic period (that makes it 182 million years old). This Georgian mourning ring features a hair locket at the face with a border and shoulders graphically studded with faceted Whitby jet cabochons. The dedication at the reverse of the head reads "Jonathan Faddick died Jany [January] 1819 Aged 63".
GEORGIAN (1714 - 1837)
The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available.
A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum.
Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts.
Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.