Victorian Rose Gold Band with Channel Set Hair

$600.00
About Details History

From the 16th century through to the end of the 19th, locks of hair were regularly exchanged between family members and lovers.  The art of making hair into jewelry, however, was generally reserved for memorializing a deceased loved one.  An allotment of money was often set aside in a will to make mourning rings, lockets, or bracelets to commemorate the deceased, which were then given out at the funeral.  This ring beautifully reflects the tastes at this particular period. The piece features an inset channel of plaited hair adorned with intertwining, crisscrossing serpentine lines. The band does not have an engraved dedication.

less
more

  • Materials: 14k rose gold, plaited hair
  • Age: c. 1860
  • Condition: Excellent
  • Size: US 6, cannot be resized
  • Location: To see this piece in person, visit our shop in Nolita, New York.
less
more
VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more

About Details History

From the 16th century through to the end of the 19th, locks of hair were regularly exchanged between family members and lovers.  The art of making hair into jewelry, however, was generally reserved for memorializing a deceased loved one.  An allotment of money was often set aside in a will to make mourning rings, lockets, or bracelets to commemorate the deceased, which were then given out at the funeral.  This ring beautifully reflects the tastes at this particular period. The piece features an inset channel of plaited hair adorned with intertwining, crisscrossing serpentine lines. The band does not have an engraved dedication.

less
more

  • Materials: 14k rose gold, plaited hair
  • Age: c. 1860
  • Condition: Excellent
  • Size: US 6, cannot be resized
  • Location: To see this piece in person, visit our shop in Nolita, New York.
less
more
VICTORIAN (1837 - 1901) The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone. The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”. During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.
less
more