Lapis lazuli has been mined since 4000 BC, and has been prized the world over not only as a decorative stone but also for the ultramarine dye made from ground and powdered lapis. King Tut's sarcophagus was heavily lined with lapis lazuli, Michelangelo favored the blue paint made from its powder, and Catherine the Great had an entire room in her palace adorned with lapis doors, fireplaces, and picture frames. Lapis has been endowed with many metaphysical properties and healing energies. It has been said that it stimulates the desire for knowledge, promotes honesty, and brings inner peace and harmony, among many other things. This wonderful Victorian brooch features two large pieces of lapis mounted in 14k yellow gold. The frame is adorned with beading, milgrain, and lovely architectural elements set with seed pearls. Each deep blue lapis table is affixed with a ribbon details rendered in gold and rose cut diamonds. We have added loops to the back of the brooch so that it may strung on a chain worn as a pendant.
VICTORIAN (1837 - 1901)
The Western world was thoroughly transformed during Queen Victoria’s epically long reign. New technology, urbanization, and industrialization created a middle class flush with disposable income, and for the first time, jewelry was mass-produced to sell to everyone.
The Victorians were avid consumers and novelty-seekers, especially when it came to fashion, and numerous fads came and went throughout the 19th century. In jewelry, whatever fashion choices Queen V. made reverberated throughout the kingdom. The Romantic period reflected the queen’s legendary love for her husband, Albert. Jewelry from this period featured joyful designs like flowers, hearts, and birds, all which often had symbolic meaning. The queen’s betrothal ring was made in the shape of a snake, which stood for love, fidelity, and eternity. The exuberant tone shifted after Prince Albert passed away in 1861, marking the beginning of the Grand Period. Black jewelry became de rigeur as the Queen and her subjects entered “mourning,” which at the time represented not just an emotional state, as we conceive of it today, but a specific manner of conduct and dress. She wore the color black for the remainder of her life, and we see lots of black onyx, enamel, jet, and gutta percha in the jewelry from this time. Finally, during the late Victorian period, which transitioned along with a rapidly changing world into the “Aesthetic Movemement”, there was a return to organic and whimsical motifs: serpents, crescent moons, animals, and Japonaisserie designed for the more liberated “Gibson Girl”.
During the second half of the 19th century, America entered the global jewelry market, with Tiffany and Co. leading the way. Lapidaries continued to perfect their techniques, and the old European cut emerged toward the end of the Victorian period. The discovery of rich diamond mines in South Africa made the colorless stones more accessible than ever before.