Victorian "Tali'o" Fox Wax Seal Fob Necklace

$1,350.00
About Details History
"Tally Ho", the cry given by huntsmen once they have sighted the quarry, immediately conjures a mental picture of a group of well-trained hounds and well-groomed British aristocrats (in formal sporting attire, naturally) on a fox hunting expedition. The call is thought to derive from the Medieval war cry "taille haut" meaning "swords up", but has been used as a hunting term since the Georgian period and was later adapted as a name for a certain kind of stage coach. This late Georgian or early Victorian wax seal fob features a carnelian intaglio with a fox on the run beneath a fancy banner emblazoned with the word "Tali'o". The mounting is fashioned from 10k gold and embellished with sinuous grooves and a tidy bow. Hangs from a new 18" 14k gold chain.

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  • Materials: 10k yellow gold (tests), carnelian, new 14k chain
  • Age: c. 1830
  • Condition: Excellent
  • Size: 1 1/4" length, seal measures 1" x 3/4", 18" chain
  • Location: To see this necklace in person please visit our shop in Boerum Hill, Brooklyn.
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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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more

About Details History
"Tally Ho", the cry given by huntsmen once they have sighted the quarry, immediately conjures a mental picture of a group of well-trained hounds and well-groomed British aristocrats (in formal sporting attire, naturally) on a fox hunting expedition. The call is thought to derive from the Medieval war cry "taille haut" meaning "swords up", but has been used as a hunting term since the Georgian period and was later adapted as a name for a certain kind of stage coach. This late Georgian or early Victorian wax seal fob features a carnelian intaglio with a fox on the run beneath a fancy banner emblazoned with the word "Tali'o". The mounting is fashioned from 10k gold and embellished with sinuous grooves and a tidy bow. Hangs from a new 18" 14k gold chain.

less
more

  • Materials: 10k yellow gold (tests), carnelian, new 14k chain
  • Age: c. 1830
  • Condition: Excellent
  • Size: 1 1/4" length, seal measures 1" x 3/4", 18" chain
  • Location: To see this necklace in person please visit our shop in Boerum Hill, Brooklyn.
less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more