Georgian Rose Cut Diamond Cluster Ring

$4,000.00
About Details History

This impressive Georgian floral cluster ring dates to 1800. It's silver crown holds a total of eleven foil-backed diamonds, with an outer ring of ten diamond petals surmounted by a gorgeous .48ct rose cut at the center. The split shoulders feature a leaf accent in silver, and the 15k gold hoop is attractively chased all the way around. This ring is in very good antique condition, but please note there is a small mark on the hoop from a previous sizing. (Please use caution when wearing this ring—since the settings are closed, they can trap liquid, which can damage the foil behind the stones.)

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  • Materials: 15k yellow gold, silver, rose cut diamonds approximate carat weights: 1 x .48ct, 10 x .03ct
  • Age: c. 1800
  • Condition: Very good - small mark on the hoop from a previous sizing
  • Size: US 5.25, can be resized for an additional fee of $90; head measures 19mm x 13mm with a 7.2mm rise off the finger
  • Location: To see this piece in person, visit our shop in Nolita, New York.

 

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GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
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About Details History

This impressive Georgian floral cluster ring dates to 1800. It's silver crown holds a total of eleven foil-backed diamonds, with an outer ring of ten diamond petals surmounted by a gorgeous .48ct rose cut at the center. The split shoulders feature a leaf accent in silver, and the 15k gold hoop is attractively chased all the way around. This ring is in very good antique condition, but please note there is a small mark on the hoop from a previous sizing. (Please use caution when wearing this ring—since the settings are closed, they can trap liquid, which can damage the foil behind the stones.)

less
more

  • Materials: 15k yellow gold, silver, rose cut diamonds approximate carat weights: 1 x .48ct, 10 x .03ct
  • Age: c. 1800
  • Condition: Very good - small mark on the hoop from a previous sizing
  • Size: US 5.25, can be resized for an additional fee of $90; head measures 19mm x 13mm with a 7.2mm rise off the finger
  • Location: To see this piece in person, visit our shop in Nolita, New York.

 

less
more
GEORGIAN (1714 - 1837) The Georgian Era was named for the English Kings George I, II, III and IV. Within the powerful nations of France and England, fine gemstone jewelry was worn only by the extremely wealthy, and the styles were regal and ornate. As imperialist war raged in the Americas, Caribbean, Australia, and beyond, the jewelry industry benefited: colored gems from all over the empire became newly available. A mix of artistic influences from around Europe contributed to the feminine, glittering jewels of the era. Dense, ornate Baroque motifs from Italy showed up in Georgian jewelry, as did French Rococo’s undulating flora and fauna. Neoclassical style made use of Greek and Roman motifs, which were newly popular due to the recently uncovered ruins of Pompeii and Herculaneum. Lapidary methods improved: the dome-shaped rose cut was popular, as was the “old mine cut”, a very early iteration of today’s round brilliant cut. The boat-shaped marquise diamond cut was developed around this time, supposedly to imitate the smile of Louis XV’s mistress, the marquise de Pompadour. Paste—an imitation gemstone made from leaded glass—was newly developed in the 18th century, and set into jewelry with the same creativity and care as its more precious counterparts. Real and imitation gems were almost always set in closed-backed settings, lined on the underside with thin sheets of foil to enhance the color of the stone and highlight it's sparkle. This makes Georgian rings tough for modern women to wear, especially on an everyday basis: genteel, jewelry-owning ladies of the 18th century were not famous for working with their hands like we are. Nor did they wash their hands as much as we do. Water will virtually ruin a foiled setting, so take special care with your Georgian ring. Very little jewelry from this period is still in circulation, and it's very difficult to repair.
less
more